Antieke juwelen glossarium
(verklarende woordenlijst)

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Gothic jewelry

Articles of jewelry made in Continental Europe in the 14th/15th centuries, inspired by the design of contemporary Gothic architecture. The pieces were more delicate than previously, and included ornaments of human figures in full relief and much openwork design. Enamelling was used (including basse taille, émail en ronde bosse, and émail en blanc). Gemstones when used were generally cut en cabochon.

Such jewelry was worn extravagantly, especially by members of the French and Burgundian Courts. Articles worn as jewelry included mainly brooches, finger rings, and jewelled belts with ornate buckles. It must be distinguished from the gothic revival jewelry.

From: An Illustrated Dictionary of Jewelry, autor: Harold Newman, publishers: Thames and Hudson

Gothic art

Gothic art was a Medieval art movement that lasted about 200 years. It began in France out of the Romanesque period in the mid-12th century, concurrent with Gothic architecture found in Cathedrals. By the late 14th century, it had evolved towards a more secular and natural style known as International Gothic, which continued until the late 15th century, where it evolved into Renaissance art. The primary Gothic art mediums were sculpture, panel painting, stained glass, fresco and illuminated manuscript.

Gothic art told a narrative story through pictures, both Christian and secular.

The earliest Gothic art was Christian sculptures, born on the walls of Cathedrals and abbeys. Christian art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side. Saints' lives were often depicted. Images of the Virgin Mary changed from the Byzantine iconic form to a more human and affectionate mother, cuddling her infant, swaying from her hip, and showing the refined manners of a well-born aristocratic courtly lady.

Secular art came in to its own during this period with the rise of cities, foundation of universities, increasing trade, a money-based economy and a bourgeois class who could afford to patronize the arts and commission works resulting in a proliferation of paintings and illuminated manuscripts. Increased literacy and a growing body of secular vernacular literature encouraged the representation of secular themes in art. With the growth of cities, trade guilds were formed and artists were often required to be members of a painters' guild—as a result, because of better record keeping, more artists are known to us by name in this period than any previous, some artists were even so bold as to sign their names.

From: Wikipedia